An Update at the Crosspost

It’s that time again! That is, that time when I look at my blog and realise there is a significant thing I’ve failed to write about, which this time means Contact. Which happened around a month ago. Better late than never!

To have a big speculative fiction convention in Brisbane was a delight to me, and to have the Aurealis Awards ceremony somewhere I could attend it in the same year I was shortlisted for two categories was an incredible piece of luck. I ended up winning neither category – take a look at the list of amazing winners here – but I got to sit next to Juliet Marillier and talk about history and fairy tales and scary landscapes, and meet editor extraordinaire Tehani Wessely in person for the first time, and so many other incredibly clever people. I am running out of superlatives for how much fun I had.

In fact, during the one day of Contact I was able to attend, there was a LOT of talking. I attended most of the panels and had a fantastic time listening to interesting people discuss everything fandom – there was even a woman with a harp playing filk, including a ballad about a witch who might have been a centaur? I don’t know and don’t care, it was brilliant.

Also in March, my baby niece went on her first Easter egg hunt, which was unutterably adorable.

Lately I’ve been reading Sir Thomas Malory’s Le Morte d’Arthur as research for ‘Ladies of Legend’, which has been a huge eye-opener – how did the Arthurian legends ever get reduced to ‘knights in shining armour saving damsels’ when so often, the damsels save them? How did I never find out until now that Morgana had a crew of sorceress queens to hang out with, and that Guinevere and Isolde were penpals? Anyone who stands still long enough in my general vicinity is sharing in my discoveries.

If you follow me on Tumblr, you’ll know this has led to my fangirling over armour and lady knights. I don’t actually post much of my own work on Tumblr, but as I’ve only recently started ‘Ladies of Legend’, I’ve decided to cross-post them. A Lady will go up each Friday until I catch up to the main blog, beginning tonight with Fair Janet.

Oh, and I almost forgot: thanks to my much more technologically literate siblings, my computer disaster has been resolved and I now have reliable internet access, which is driving home to me just how long it’s been since I’ve had reliable internet access, and I might be revelling a little bit.

A Splash of Silver in the Wild Wood

I’m not sure I really have a norm in my reading any more. I do prefer fantasy or science fiction but I’ve been reading more mainstream fiction and recently rediscovered my love of historical novels through Philippa Gregory’s The Cousins War series. While I might find it hard to articulate my comfort zone, however, I definitely have one and I know when I’m stepping outside it. That’s happened a few times this year, to mixed results.

In 2015, my third year signed up to the Australian Women Writers Challenge, I committed to reading and reviewing at least twelve books written by Australian women. I ended up reading fifteen, with a leaning towards historical fiction. Goddess, The First Man in Rome and Just a Girl are all based on the lives of real – and extraordinary – people, while Currawong Manor is a mystery set half in the 1940’s and half in the 1990s. Wild Wood has a similar mix (1300s and 1980s) with a fantasy element. Genre fantasy reads for this year were Splashdance Silver, Sourdough and Other Stories, A Wrong Turn at the Office of Unmade Lists, Dreamer’s Pool and its sequel Tower of Thorns. Representing science fiction were the first two books in the Starbound series, These Broken Stars and This Shattered World, though I also finished reading Tansy Rayner Roberts’ delightful blog serial Musketeer Space, which started last year and concluded in July. Under the name Livia Day, she also wrote the cosy mysteries A Trifle Dead and Drowned Vanilla, both set in contemporary Hobart. The one and only mainstream Australian fiction novel for this year is Kate Forsyth’s Dancing on Knives.

It’s actually interesting, looking back, to see only a third of these books were set in Australia. Six had Australian characters. From Tudor England to ancient Rome, to fantasy realms and other planets, the settings could hardly be more varied.

Though I can’t review them, thanks to a rather obvious bias, I’m honoured to be a part of several anthologies edited and published this year by Australian women. Tehani Wessely and Tansy Rayner Roberts produced Cranky Ladies of History, about female rebels and rulers. Tehani also edited Focus 2014: highlights of Australian short fiction. Liz Grzyb pulled together a collection of stories about powerful fictional women for Hear Me Roar and, together with Talie Helene, released Ticonderoga Publications’ 2014 edition of The Year’s Best Australian Fantasy and Horror. It is always a delight and a privilege to work with so many talented women and in such a vibrant corner of the Australian publishing scene!

Not all the books I’ve read for the Challenge this year worked for me. It’s also how I found three of my favourite books of 2015. The point of this project has never been to read only Australian women, and I certainly haven’t – the point, for me, has always been to be more mindful of what I’m reading. Since I started participating in the Challenge, I’ve noticed the works of Australian writers more and have made space for them on my reading list. That’s something I intend to continue. Australian women have fantastic stories to share. And I have so much reading to do.

Focus 2014

This month FableCroft Publishing is releasing Focus 2014: highlights of Australian short fiction, an e-book only collection reprinting short stories by Australian writers that have received awards acclaim both here and overseas. I am tremendously honoured that my story ‘Signature’ was selected to appear alongside all these fabulous names!

St Dymphna’s School for Poison Girls by Angela Slatter
Wine, Women and Stars by Thoraiya Dyer
Vanilla by Dirk Flinthart
The Legend Trap by Sean Williams
The Seventh Relic by Cat Sparks
Death’s Door Café by Kaaron Warren
The Ghost of Hephaestus by Charlotte Nash
The Executioner Goes Home by Deborah Biancotti
Signature by Faith Mudge
Cookie Cutter Superhero by Tansy Rayner Roberts
Shadows of the Lonely Dead by Alan Baxter

For updates and more information, check the FableCroft website.

The Wild Girl in the Wicked Wood

The Australian Women Writers Challenge, as you may know if you’ve been reading this blog awhile, is a project that promotes the work of Australian women across all genres. 2014 has been my second year participating and this time I signed up to the Franklin level, which meant I had to read at least ten books and review at least six. I also planned to find more books through reviews on the AWW Challenge blog.

Of the eleven books I ended up reading, just over half were speculative fiction, four were historical fiction and one was contemporary. To my delight, I managed to find three fairy tale-inspired works for the Challenge – Allyse Near’s bewitchingly bitter concoction Fairytales for Wilde Girls, Isobelle Carmody and Nan McNab’s collection of retellings The Wicked Wood, and Kate Forsyth’s exploration of a real-life tale-teller, Dortchen Wild, in The Wild Girl. Juliet Marillier’s Shadowfell also draws on British folk lore as part of its worldbuilding and though Ruth Park’s My Sister Sif is really more science fiction than fantasy, it uses mermaid stories and Pacific Islander legends. The vampire element, meanwhile, had representation this year with The Blood Countess by Tara Moss and The Amethyst Curse by Chantelle Thomson.

The Wild Girl contains just a trace of fantasy, but I think it’s more accurately classified as historical fiction. Other books in this genre I’ve read in 2014 include Kimberley Freeman’s Ember Island and two Kate Morton novels, The Secret Keeper and The House at Riverton. While all three of these contain contemporary subplots, the only 100% contemporary novel I’ve read this year was Anita Heiss’s Tiddas. As a Queensland girl, I’m not accustomed to seeing my home state represented much in fiction and always get a kick from an insider reference – Ember Island, The Secret Keeper and Tiddas all have Queensland as a setting.

I would like to count Tansy Rayner Roberts’s serialised space opera Musketeer Space, a genderswapped reinterpretation of Alexander Dumas’s classic The Three Musketeers, but that would kind of be cheating as she hasn’t finished writing it yet. At the time of my posting this, she’s up to Chapter 30 and I am SO HOOKED. There’s swordfights and spaceships and ever so much snark, and all of the story so far is available for free on her blog. Go get addicted too!

Then, of course there are the books to which I’m lucky enough to be a contributor. My stories have appeared in four collections this year, all of them with Australian small press, all compiled by fantastic female editors. Ticonderoga’s steampunk anthology Kisses by Clockwork was edited by Liz Grzyb, Twelfth Planet Press’s Kaleidoscope by Alisa Krasnostein and Julia Rios, Tehani Wessely produced FableCroft’s fairy tale-themed Phantazein and The Year’s Best Australian Fantasy and Horror 2013, edited by Liz Grzyb and Talia Helene, was released just last month. Until I started selling short stories I knew almost nothing about Australian small press – like how AWESOME it is, and how much fun all these people are to work with. I feel so very honoured to be a part of all these works.

So that’s my challenge completed for 2014. It’s been an adventurous year for me as a reader and a wonderful one as a writer. Roll on 2015!

An Update from the Storyteller’s Tower

May is the month of much Mudgeness! In honour of my Ditmar Awards nomination for Best New Talent (squee!) FableCroft Publishing is offering two of my short stories to read for free on their website – ‘Winter’s Heart’ and ‘Oracle’s Tower’. There are a range of FableCroft works up for Ditmar contention too, plus Tehani Wessely’s excellent shared blog project ‘Reviewing New Who‘.

Also: my stories will be appearing in two more forthcoming anthologies! Fairy tale retelling ‘Twelfth’ will appear in FableCroft’s Insert Title Here, while urban fantasy story ‘Signature’ is in Twelfth Planet Press’s Kaleidoscope. Both are scheduled for released in August of this year. Added to Ticonderoga’s Kisses by Clockwork, which will feature my story ‘Descension’ and is expected to come out around the same time, that part of 2014 is looking decidedly literary!

An Update from the Shadow of the Witch

The past couple of weeks have been quite full on for me, for a lot of reasons, but any month that includes seeing a 1920s animated fairy tale must be a good one.

The Gallery of Modern Art has recently been running a series of fairy tale themed films and on the 16th it screened ‘The Adventures of Prince Achmed‘, an animated fantasy from 1926 that could easily be retitled ‘The Fire Witch Saves Everybody, Always’. It was written, directed and co-animated by Lotte Reiniger, a pioneer of the industry and probably qualifiable as a Cranky Lady. Based on two different stories from the Arabian Nights, it’s like watching exquisitely intricate shadow puppets, and this particular performance was accompanied by gorgeous live music. While there are instances of the racism and sexism you might expect from a creation of the period, there are pleasantly surprising twists too. I’ll say it again: Fire. Witch. Is. Awesome. The princes are there largely to be tricked by sorcery and lament about their unlucky love lives.

In other March news:

Let’s Have A Rousing Discussion About Truth, Dragons and Historically Authentic Sexism

For most of history, Anonymous was a woman.

– Virginia WoolfCranky Ladies logo

Tomorrow is the first day of Women’s History Month. Throughout March FableCroft Publishing are running a Pozible campaign for their new anthology, Cranky Ladies of History, and co-editor Tehani Wessely has organised a blog tour to explore the legacy of women who were unconventional, rebellious, or outright revolutionary. Which means we get to talk about HISTORY!

Most girls grow up surrounded by storybook princesses. The ones I liked best were Elizabeth, Victoria and Cleopatra, thanks to a series of fictional autobiographies in my local library’s children’s section. Having been consuming period dramas and documentaries from a very young age, my brain houses a disordered archive of historical detail, from the failed strategies of the Battle of Hastings to what wealthy Tudors used for toothpaste (sugar, if you really want to know. Don’t try this at home!)

History is, after all, one long, unpredictable story with countless fan fiction spin-offs, and I am easily hooked into a good story. All my life I’ve been fascinated by the past, but I have never had the slightest desire to actually go there. It is, as they say, a foreign country, and not a particularly pleasant one if you happen to be female. That we need a dedicated month tells you everything you need to know about the way women have been treated by humanity’s (mostly male) record-keepers.

There was some debate online in late 2012 about ‘historically authentic sexism’ in fantasy and science fiction, kicking off with this article on the Mary Sue and continuing with glorious sarcasm from Tansy Rayner Roberts and Foz Meadows. To summarise, if you find giant fire-breathing lizards more credible than women as active participants in a narrative, you may have problems. The best narratives, naturally, have both, but I digress.

History is a vast mosaic of human experience and for a very long time the pieces about women have been treated as insignificant. The very word woman, derived from Old English, is an amalgamation of wīf (wife) and man (person). According to the actual language, if you weren’t male, you were not really a person; you could only be married to one. Over the course of generations, women’s experiences and achievements have been belittled, forgotten and ignored, sometimes out of deliberate malice but more often from a pervasively misogynistic mindset. The wives of Henry VIII are still forced into the boxes they were given during their lifetimes, their contributions to the Tudor dynasty dismissed, while the nine days queen Jane Grey is held up as a martyr to the ambition of others instead of the intelligent and politically aware young woman she was. The dispute between Elizabeth I and Mary, Queen of Scots becomes a beauty contest. Cleopatra is treated as a seductress, not a politician. Nuance, automatically granted to male contemporaries, is something women have had to win.

Which is incredibly frustrating, because there are SO MANY amazing women throughout history. If you want leaders, there’s the Iceni queen Boudicca, who struck fear into the heart of the Roman Empire. Cleopatra, the only Ptolemaic monarch who bothered to learn the Egyptian language. The African warrior Amina Sarauniya Zazzua, who led military campaigns while her mother governed then inherited power for a thirty four year reign. Not to forget Elizabeth, the ultimate politician and devastatingly brilliant academic, or Queen Victoria, who ruled over an empire so vast it was said the sun never set on her lands. Then there are the revolutionaries: Harriet Tubman, who escaped a savagely abusive plantation owner and went on to rescue more than three hundred slaves. Joan of Arc, the teenage girl who led a French army with force of conviction alone. Constance Markievicz, an Irish activist and the first woman to be elected to the British House of Commons. When asked to give fashion advice, her reply was “Dress suitably in short skirts and strong boots, leave your jewels in the bank, and buy a revolver.”

In the sciences, there was Hypatia, inventor of the astrolabe and hydroscope; Maria Agnesi, so committed to mathematics she wrote solutions in her sleep; Marie Curie, who won a Nobel Prize for her investigation of radioactivity. In literature, well, take your pick. Aphra Behn was one of the first female playwrights in Restoration England and part-time spy for Charles II. The Brontë sisters created heroines fuelled by incontrovertible self-respect. Mary Shelley arguably invented the science fiction genre; Murasaki Shikibu arguably invented the novel.

I don’t require my favourite ladies of history to have been nice, or even on the paler side of moral grey. All it takes to get on my radar is to be interesting. Ching Shih, for instance, a former prostitute who became a pirate queen so unstoppable that the only way to end her marauding was to offer her a comfortable retirement – just knowing she existed makes me happy. But she wasn’t the only female pirate in history, not by a long shot. Every time someone says, ‘women never did that!’, I guarantee you there was a woman who did.

Writers of historical fiction incur an immediate responsibility, because the stories we hear are the realities we believe. Writing about real people from history is an even greater challenge. However detailed the account of their life, there are gaps where fiction can only conjecture – but it can also breathe life and soul into the names of people who died centuries ago. I’m glad those ‘autobiographies’ were waiting for me, and all the other stories from history I have read since. They are an important part of reclaiming women’s lives, so long belittled and dismissed. They remind us of the remarkable achievements of the past, and the limitless potential of the future.

And that being ‘cranky’ isn’t always such a bad thing.

A Corner of White to Lighthouse Bay

At the beginning of the year I signed up to the Australian Women Writers Challenge. To meet my chosen level, the Miles, I had to read at least six books by female Australian authors and review at least four. Just for the hell of it, I added a mental note: they couldn’t all be speculative fiction.

The result is a list of books that have alternately intrigued, annoyed, charmed and definitely challenged me. Almost all fell outside my usual comfort zone.

The majority, of course, were either fantasy or science fiction, but even those stretched me; neither Margo Lanagan’s sinister fairy tale Sea Hearts nor Meg Mundell’s dark Australian dystopia Black Glass were easy reads, while Pamela Freeman’s Ember and Ash was traditional fantasy, which I’ve drifted away from in recent years. Even Tales from the Tower, a collection of fairy tale retellings edited by Isobelle Carmody, was full of confronting surprises.

Also included on the list are two works of contemporary/women’s fiction – the intergenerational murder mystery Poet’s Cottage by Josephine Pennicott and family saga Lighthouse Bay by Kimberley Freeman – plus a biography, Memoirs of a Showgirl,by Shay Stafford. None are books I’d normally gravitate towards; all gave me fresh perspectives into unfamiliar worlds.

Then there are the books I’ve read but not reviewed. Tehani Wessely of FableCroft Publishing released the anthology One Small Step in May, while Liz Grzyb edited Dreaming of Djinn for Ticonderoga and co-edited The Year’s Best Australian Fantasy and Horror with Talia Helene. As I have stories included in all three, I’m not exactly impartial, but they are collections I’m delighted have on my shelf and some less biased reviews can be found here and here. To everyone who said nice things about my stories, you are lovely and it was very much appreciated!

I am proud to have worked with such talented women, and proud to be a part of this industry. The stories I have read this year have been vastly varied, intelligent, and original. They are stories that should be told, and read, and talked about. I don’t really believe in the idea of ‘the great Australian novel’, because that means something different to everyone, as it should. This country is too big to be contained all inside one book. To encompass it all you need a library, an ever-changing map of stories, overlapping, interlocking, with signposts to guide us from reassuring waters to alien depths and back again by the scenic route.

I’m not done with my Challenge yet. My To Read list for 2014 includes books by Patricia Wrightson and Kate Forsyth, Kate Morton and Kimberley Freeman, experimenting with authors already known and admired, and those as yet unknown. That is, after all, the point of the Challenge: to start looking for these authors, and not stop.

There are remarkable women out there telling stories that should be heard. And I have reading to do.

An Update from the December Forest

Being still on a high from the Doctor Who 50th anniversary, I have blanketed my Tumblr in Whovian imagery to share as much timey wimey goodness as I can, and here at the Dreamline have collected a few of my favourite links from the celebrations. Tansy Rayner Roberts has been blogging once a week all year, kindly collating her posts here, and has also joined forces with Tehani Wessely and David McDonald for ‘New Who in Conversation’, discussing episodes of New Who in detail (they are currently up to ‘The Lodger‘). There’s some gorgeous and slightly spoilery art here, a detailed review of ‘The Day of the Doctor‘ at the Mary Sue and if you somehow haven’t heard about ‘The Night of the Doctor’ minisode, for pity’s sake, dash straight over here to watch it at once.

The Doctor and Amy Pond

The Doctor and Amy Pond

There are also Dalek wedding cakes. And I may have reunited Doctor Who-themed felt projects in a glittery Christmas forest for a 50th anniversary photoshoot. Posting photos is still a Herculean effort for me, so if the result looks dreadful it stays that way.

 

Elsewhere on the internet, people have said interesting, insightful things about Thor: The Dark World, Kathleen Jennings wrote a little, lovely steampunk adventure, and FableCroft is running a special offer on all works to Australian customers, but only until Sunday!

 

Sea Devil

Sea Devil

Now, a bit of housekeeping. We’re less than two weeks away from Christmas now (stay calm, everybody, just breathe) and that means I’m winding up a few things while going maniacally overboard on others. Next week’s will be my last Fairy Tale Tuesday for 2013 but beware, you will probably be flooded with reviews as I work through my backlog before the end of the year. And because it’s December, a time for nice surprises, I have a present for you all. You can open it before Christmas.

 

 

Dalek

Dalek

The following story was written for my friend Laura and without her it would likely still be languishing in my oubliette of unfinished projects. Now that it is polished and shiny, I would like to share it with the wonderful and very much appreciated readers of this blog.

So, come inside. The Door’s open. Welcome to Candlebridge.

An Update from the February Optimist

Brace yourselves for author talk. As I may have mentioned before, I have two short stories set for release in April. In ‘The Oblivion Box’ an imprisoned musician from the Third Millenium Sultanate uses stories to escape the inescapable; in ‘Winter’s Heart’ a young mother must seek out a lost treasure before it sees her lose everything else she has. The anthologies each story appears in (Dreaming of Djinn and One Small Step respectively) are now available for preorder. The cover art can also be seen on Ticonderoga and FableCroft’s websites. I myself cannot wait until all that prettiness is in my hands, and more importantly, ON MY BOOKSHELF.

April is looking unnervingly imminent from where I stand. Like 90% of the population on the planet, I had high hopes that I would have Achieved Great Things by this point in the year – I had a list, actually. The only resolutions I can tick off so far are the writing of several blog posts and the reading of a great many books. It’s hard to be as optimistic at the end of February as I was at the beginning of January, but I intend to finish writing a particular book by mid-March. I also hope my computer may have stopped having nervous breakdowns by then, though I’m not counting on it.

With apologies for its lateness, I will now share with you a folk tale treasure. It is Russian, from a book I own but only recently rediscovered, and it might just have claimed top spot on my mental shortlist of favourite fairy tales ever. You won’t have to guess why.