The Wild Girl in the Wicked Wood

The Australian Women Writers Challenge, as you may know if you’ve been reading this blog awhile, is a project that promotes the work of Australian women across all genres. 2014 has been my second year participating and this time I signed up to the Franklin level, which meant I had to read at least ten books and review at least six. I also planned to find more books through reviews on the AWW Challenge blog.

Of the eleven books I ended up reading, just over half were speculative fiction, four were historical fiction and one was contemporary. To my delight, I managed to find three fairy tale-inspired works for the Challenge – Allyse Near’s bewitchingly bitter concoction Fairytales for Wilde Girls, Isobelle Carmody and Nan McNab’s collection of retellings The Wicked Wood, and Kate Forsyth’s exploration of a real-life tale-teller, Dortchen Wild, in The Wild Girl. Juliet Marillier’s Shadowfell also draws on British folk lore as part of its worldbuilding and though Ruth Park’s My Sister Sif is really more science fiction than fantasy, it uses mermaid stories and Pacific Islander legends. The vampire element, meanwhile, had representation this year with The Blood Countess by Tara Moss and The Amethyst Curse by Chantelle Thomson.

The Wild Girl contains just a trace of fantasy, but I think it’s more accurately classified as historical fiction. Other books in this genre I’ve read in 2014 include Kimberley Freeman’s Ember Island and two Kate Morton novels, The Secret Keeper and The House at Riverton. While all three of these contain contemporary subplots, the only 100% contemporary novel I’ve read this year was Anita Heiss’s Tiddas. As a Queensland girl, I’m not accustomed to seeing my home state represented much in fiction and always get a kick from an insider reference – Ember Island, The Secret Keeper and Tiddas all have Queensland as a setting.

I would like to count Tansy Rayner Roberts’s serialised space opera Musketeer Space, a genderswapped reinterpretation of Alexander Dumas’s classic The Three Musketeers, but that would kind of be cheating as she hasn’t finished writing it yet. At the time of my posting this, she’s up to Chapter 30 and I am SO HOOKED. There’s swordfights and spaceships and ever so much snark, and all of the story so far is available for free on her blog. Go get addicted too!

Then, of course there are the books to which I’m lucky enough to be a contributor. My stories have appeared in four collections this year, all of them with Australian small press, all compiled by fantastic female editors. Ticonderoga’s steampunk anthology Kisses by Clockwork was edited by Liz Grzyb, Twelfth Planet Press’s Kaleidoscope by Alisa Krasnostein and Julia Rios, Tehani Wessely produced FableCroft’s fairy tale-themed Phantazein and The Year’s Best Australian Fantasy and Horror 2013, edited by Liz Grzyb and Talia Helene, was released just last month. Until I started selling short stories I knew almost nothing about Australian small press – like how AWESOME it is, and how much fun all these people are to work with. I feel so very honoured to be a part of all these works.

So that’s my challenge completed for 2014. It’s been an adventurous year for me as a reader and a wonderful one as a writer. Roll on 2015!

Review No.130 – The Amethyst Curse

The Amethyst Curse – Chantelle Thomson

Self published, 2014

It has been nearly a hundred years since Alexandra Taylor became one of the undead. In all that time, she has never met another vampire – until the one who turned her in the first place, and subsequently abandoned her, shows up on the doorstep demanding to be allowed into her life. He brings with him a previously unimagined world of rules and expectations, throwing Alex’s understanding of herself into total disarray. Then a dead vampire shows up in her neighbourhood, and Alex realises just how far out of her depth she really is.

This is Brisbane writer Chantelle Thomson’s first novel, a copy of which was sent to me for review. It’s rare to see a vampire story set in Australia, let alone one that focusses so closely on vampiric culture. Alex is a difficult protagonist to like and sometimes to understand – she has no qualms about embracing her vampire nature, in fact it’s human reactions she struggles with – while the supporting cast (most of whom are also vampires) are very limited. There’s a tendency towards telling rather than showing and some awkward phrasing that made me double back a few times, but the vampire world is well thought out and it’s a nice touch how Australian conditions are consistently acknowledged as an extra difficulty for sun-phobic creatures to navigate. This is the beginning of a planned paranormal romance series.